The project that I am most prideful of. Alongside both producers of this Netflix docuseries and the Head of Quality Control at The Refinery’s Cape Town branch, I set out to find any flaws in the later stages of the project’s composition with both the archive footage as well as the many interviews alongside with its accompanying audio mixes from the sound department.
My first Disney credit and being a Christmas present of my own to work on. I had worked closely with head of QC and post production in assuring an absorbing experience within the docu-series’ cinematic sequences as well as checking on the accuracy of interviewees.
After moving down to Cape Town at The Refinery’s request, I worked on the Arron Eckhart sequel film City of Wolves. I was in charge of cinematic quality control whereby I sought out any inconsistencies as well as errors with the film’s visual effects, which I saw to being corrected.
A film I really enjoyed working on. For a massive multifilm deal with Fox and The Refinery, I worked on Quality Control for the murder mystery movie, Takeout. With finding errors in continuity, shot quality and visual effects to ensure a fun movie experience.
A stomach churning horror, I was first trained in dailies under this project and soon was put onto quality control after its special effects were added and its composition was formed.
