Working alongside and assisting The Refinery’s CEO, Alastair Orr (House on Willow Street, Hunting Jessica Brok), I was in charge of handling sensitive information of both Will Smith and his family that would later be used for his Documentary, as well as providing edited footage for the rest of the studio to implement visual effects, achieving the final version of the Beautiful Scar’s music video.
When Company 3 had requested me to travel up from Cape Town, I was put in charge of handling individual shoot day footage from The Terminal List: Dark Wolf’s production in Limpopo. I was in charge of uploading the sensitive footage over to Company 3’s Toronto branch in order for their departments to form the aforementioned Amazon series. Furthermore, I was then needed to back up the shoot day footage safely to LTOs before returning back to the show’s production team correspondents.
